Brochure Template Ai

Monday, November 1st 2021. | Sample Templates

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How to Do a Bifold in InDesign How to Do a Bifold in InDesign In the world of print production, which names different types of collateral literature based on their folds and panels, a brochure with one fold and two panels on each side of a sheet of paper constitutes a bifold. Unlike other brochure types with more complex folding patterns, the bifold lends itself to in-house productions of handmade quantities that can be ideal for a small mailing to publicize a business event. Using Adobe InDesign, you can craft a bifold brochure that folds at the top or on the side of the completed project. In the world of print production, which names different types of collateral literature based on their folds and panels, a brochure with one fold and two panels on each side of a sheet of paper constitutes a bifold. Unlike other brochure types with more complex folding patterns, the bifold lends itself to in-house productions of handmade quantities that can be ideal for a small mailing to publicize a business event. Using Adobe InDesign, you can craft a bifold brochure that folds at the top or on the side of the completed project. Select a vertical or horizontal fold for your project. Most brochures use vertical folds to produce panels oriented like traditional pages. A horizontal fold produces results like a greeting card. If you need to run a considerable amount of text on each inside panel, you will achieve more readable results with a vertical fold. Select a vertical or horizontal fold for your project. Most brochures use vertical folds to produce panels oriented like traditional pages. A horizontal fold produces results like a greeting card. If you need to run a considerable amount of text on each inside panel, you will achieve more readable results with a vertical fold. Create a new two-page Adobe InDesign document with a page size equal to the flat size of your bifold brochure. To print your project on a desktop printer or networked copier/printer, select a standard sheet size such as “letter” or “A4.” Most vertical-fold designs work best if you set up your project with the page in landscape orientation to provide ample width for facing panels, whereas horizontal folds need height. Turn off facing-page mode in the New Document dialog box so you can set up one master page for your project. Create a new two-page Adobe InDesign document with a page size equal to the flat size of your bifold brochure. To print your project on a desktop printer or networked copier/printer, select a standard sheet size such as “letter” or “A4.” Most vertical-fold designs work best if you set up your project with the page in landscape orientation to provide ample width for facing panels, whereas horizontal folds need height. Turn off facing-page mode in the New Document dialog box so you can set up one master page for your project. Use the Pages panel to switch to the master page in your document so you can add a ruler guide to represent the position of your fold line. Add another ruler guide on either side of it to represent the inner margin on each panel, using the same distance from the fold line as the margins you defined in the New Document dialog box. To place your guides precisely, add them to your master page, select them like any other object and use the Transform panel to enter their numeric location. Once you position your guides correctly, open the “View” menu, locate its “Grids & Guides” submenu and choose “Lock Guides” so you can’t accidentally move them while you’re designing. Use the Pages panel to switch to the master page in your document so you can add a ruler guide to represent the position of your fold line. Add another ruler guide on either side of it to represent the inner margin on each panel, using the same distance from the fold line as the margins you defined in the New Document dialog box. To place your guides precisely, add them to your master page, select them like any other object and use the Transform panel to enter their numeric location. Once you position your guides correctly, open the “View” menu, locate its “Grids & Guides” submenu and choose “Lock Guides” so you can’t accidentally move them while you’re designing. Create frames for the text, graphics and images in your brochures. If your project represents one in a series of related bifolds, create styles for your type so you can apply them with one click on the Paragraph or Character panel. Place or paste your text into the appropriate frames, and place your images so they become linked rather than embedded graphics. This reduces the size of your layout file and increases the output quality of your visuals. Create frames for the text, graphics and images in your brochures. If your project represents one in a series of related bifolds, create styles for your type so you can apply them with one click on the Paragraph or Character panel. Place or paste your text into the appropriate frames, and place your images so they become linked rather than embedded graphics. This reduces the size of your layout file and increases the output quality of your visuals. Print your project to a duplexing printer, or print one side and run the sheets back through your output device to image the second side. If you print a small quantity, you can fold the sheets by hand. For larger quantities, use a folding machine if your office has one, or take your printed project to a business document center for processing.

References

Resources Adobe InDesign CS6 Classroom in a Book; Adobe Creative Team

Tips To number the pages in your brochure, use manual instead of automatic numbering. Because each sheet in your project contains two pages, Adobe InDesign’s automatic page numbers will display duplicate values on each page’s panels. If your project requires bleeds — solids or images that run all the way to the outer edge of the sheet — print it out on a larger sheet size and trim away the bleed allowance that allows the ink to run to the edge. When you create your document, turn off facing-page mode so your pages, which represent opposing sides of the same sheet, don’t wind up emulating traditional right-left pagination in your InDesign file. Each page in your project contains two pages of your bifold, so you can’t use InDesign’s margins to set margins for all four edges of each page.

Warnings Verify that your printer supports manual duplexing if it doesn’t feature an automatic duplexer. Some printers, especially laser printers, aren’t rated for duplexed output, and can sustain damage when a printed sheet comes into contact with the heat of the fusing equipment that bonds toner to paper.

Writer Bio Print your project to a duplexing printer, or print one side and run the sheets back through your output device to image the second side. If you print a small quantity, you can fold the sheets by hand. For larger quantities, use a folding machine if your office has one, or take your printed project to a business document center for processing.

References

Resources Adobe InDesign CS6 Classroom in a Book; Adobe Creative Team

Tips To number the pages in your brochure, use manual instead of automatic numbering. Because each sheet in your project contains two pages, Adobe InDesign’s automatic page numbers will display duplicate values on each page’s panels. If your project requires bleeds — solids or images that run all the way to the outer edge of the sheet — print it out on a larger sheet size and trim away the bleed allowance that allows the ink to run to the edge. When you create your document, turn off facing-page mode so your pages, which represent opposing sides of the same sheet, don’t wind up emulating traditional right-left pagination in your InDesign file. Each page in your project contains two pages of your bifold, so you can’t use InDesign’s margins to set margins for all four edges of each page.

Warnings Verify that your printer supports manual duplexing if it doesn’t feature an automatic duplexer. Some printers, especially laser printers, aren’t rated for duplexed output, and can sustain damage when a printed sheet comes into contact with the heat of the fusing equipment that bonds toner to paper.

Writer Bio Elizabeth Mott has been a writer since 1983. Mott has extensive experience writing advertising copy for everything from kitchen appliances and financial services to education and tourism. She holds a Bachelor of Arts and Master of Arts in English from Indiana State University. Elizabeth Mott has been a writer since 1983. Mott has extensive experience writing advertising copy for everything from kitchen appliances and financial services to education and tourism. She holds a Bachelor of Arts and Master of Arts in English from Indiana State University.

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